The Adirondack Home

Why, and how, and when?

Did you become my brethren?

And now I cannot leave.

Flickering consciousness, a chorus of neural synapses, and in an instant, you are transported to a dear land, returning again to a place that you never left. Like fog, like a mist, revealing and concealing in the same breath, unsure of destination. Yet destined all the same.

That distant tree, bowing over the pond, I wonder how it is doing. Is it still standing? Or did it finally give in to the charm of the water? That little crop of lily pads, near the muddy shores- will it still bloom this year? At the same time? Is that mountain still shy to reveal itself in first light? And the grass still shameless to start dancing at the slightest murmur of a breeze?

I would nick my skin in those bare branches sticking out of the Adirondack mist over an exotic location any day. Why be content with a landscape that perhaps, just speaks to you? Let her sing.

Let her sing to you like a cascade. Cool to touch, and warm to feel. Tethered and dynamic. Let her be like memories, memories rising like a phoenix, from a landscape that is never dead, never cold. Always there to warm the hearth, and the heart, only if one knows the distinction between the two, which is none when you find it.

The path of a thought- is it rectilinear? Can we define it? Is it one of least resistance, or maximum involvement? If our images are snippets of our thoughts, can we characterize them, meaningfully, and all the time?

Let her be the imagination. Which is but a future memory when you think of it.

I ramble on. Because I know they are all of my mine. And my kinship to the land. And what is kinship to a dear land, if not dissolving boundaries, and free communion.

Learning a landscape means unlearning yourself. Learning a landscape means learning yourself.

The notion of home, in a landscape, is feverish. And I am infected.

Learning from the Atoms

“We must be clear that when it comes to atoms, language can be used only as in poetry. The poet, too, is not merely so concerned with describing facts as with creating images and establishing mental connections.” – Neils Bohr

To create a just society, one only needs to look at the democracy of an atom. How elegantly the electronic citizens exercise their freedom of expression, while faithfully upholding the nuclear constitution. How generously the electrons are shared across the atoms, creating a global molecular community, with every citizen being treated equal before the laws of quantum mechanics. All kinds of molecules, in every possible orientation and conformation, in all kinds of geometry and shapes, fully exercising their right to exist, some stable enough and reclusive, as if a hermit who has made peace with himself, and the world, while some are reactive and radical, as if an activist, trying to touch and transform as many molecules as possible, until every one finds salvation. How prophetically some of them find each other, conjoining forces in genesis, as if seeking a higher purpose in their existence, while fulfilling the same in their lifetime. The genetic ensemble, springing from existing molecules, and sprinting towards virgin ones, sometime dormant over eons, but twisting and turning, permuting and combining, as if waiting for resurrection, bestow life with the right to survive, and thrive, and express, often a failure, seldom fortunate, but none futile. The left leaning amino acids, and the right leaning sugars, working in unison to create that symphony of love, which is neither right, nor wrong, but intelligent to relay the process forward and reach for the stars, and wise to remember the journey it has already made from the stardust. Let us not unravel these delicate strands of life and forego this consciousness. Let us not choose power over knowledge, let us not run away with intelligence, and leave wisdom marooned. Democracy lives within our elements. And the justice we seek, already exists in our genes. Let us find it within ourselves, in each atom of us, in the conscientious pursuit of our consciousness, and in the faith of our shared humanity.

(This is a reflection in times of the impending election in the ‘strongest democracy’, based on an understanding of my background in Chemistry, the good fortune of having the chance to spend time in the wilderness and ponder, and inspired by the many thoughtful quotes, quips, haikus, doodles, and poems from a wonderful class of students at Oxford College of Emory University.)

Adirondacks: A Forever Wild Affair?

“What is the use of a house if you haven’t got a tolerable planet to put it on?”

                                                                                                                   -Henry David Thoreau

Although the current pandemic has devoured all our attention, and rightly so, there have been a string of other incidents with far-reaching consequences and warning bells for the future. The California wildfires, the burning of the Amazon rainforest, Australian bushfires, or the very recent cyclone Amphan in my home state of West Bengal in India are only a few in a very long list of devastating events. While major events tend to be graphical in nature, many seemingly small issues like reduction in the population of bees or migratory birds, increasing pollution of air and water, rising levels of carbon dioxide, are harder to portray. Until and unless the small changes add up to a catastrophe, we seem unperturbed by the daily variations that lead to the latter.

The Adirondack region of upstate New York is six million acres of pure gem, much of which is protected by the ‘Forever Wild’ clause of the New York state constitution. Every time I visit this place, I cannot help but think that this is a timeless wonderland. However, that is not true. Rampant logging and deforestation almost denuded this place until preservation and conservation efforts helped protect this place. It would also be wishful to think that this place, or any place, will survive without our active choice of living in harmony with Nature. In the current times, when our activities are even more interlinked, the consequence of our actions, however removed in place or time, will be felt everywhere. Global warming and climate change do not discriminate; a factory in the west coast contributes to rising carbon dioxide levels which potentially translates into longer summers and dry season, rise in ticks, shorter winters etc. in the Adirondacks.

While I am not an expert on Adirondacks (or for that matter climate change), I have come to love this place deeply and explored it intensively over the years. This has inspired me to write the following photo-essay, depicting a calamitous future of the Adirondacks. This is a figment of my imagination; the photographs are a work of my creative pursuits in this place. Some of the images were made at popular locations, some along obscure trails. I have stripped them to their bare elements, devoid of colour or any other obvious attributes. I have envisioned the images to be about and around the Adirondacks and the lurking issues that can potentially affect the place, rather than pretty postcards. This is primarily a work of fiction and while I would never want such a future, it would do us good to remember that the future reality is probably worse. ‘Truth is stranger than fiction.’ My hope is that this essay will help, myself as well as others, in being mindful about our daily activities and  their impact, as well spark a discussion leading to a greater awareness about the planet, thereby leading to harmonious actions.

It is also important to remember that “Dystopia” is what the privileged thinks will happen to themselves while it is already happening to underprivileged elsewhere and everywhere in this world. I have the time and opportunity to be out and create while not being worried about being lethally ensnared in any of the circumstances mentioned in this essay.

12065 A.D. Wildfires have been raging for about four years. Much of the pristine wilderness of the High Peaks is all but a memory. Thick smoke blankets the Adirondacks. A thin sliver of the forest in the horizon is now burning at a rapid pace. All efforts at containing the fire have now been deemed as a lost battle.

2It all started on one of the last clear Spring nights in 2061. People now fondly recollect the stars they witnessed that night, oblivious of the fact that this would probably be the last in their lifetime. A decade from this night, the mountain named ‘Whiteface’ is now considered a misnomer.

3The clear night soon turned cloudy with the approach of dawn. This was becoming an increasing occurrence due to smog and air particulates from surrounding areas. The Adirondack lakes did put up a fine show of mist. Only this time it lingered on longer than usual. The Sun was finally able to pierce through the blanket, about three hours after its stipulated time.

4The clear and cloudless stretch of a mild winter with minimal snowfall of 2061 had finally showed its fangs, thus confirming the fearful suspicions of the ecologists. A small spark in the forest floor at the beginning of Spring soon started a cascade of wildfires. The source of this spark was never confirmed.

5The fresh foliage, however little that bloomed in the short-lived Spring was soon reduced to ashes leaving the denuded trunks to bear the burden of shame. It did seem as if ‘winter made its way back into invincible summer’.

6The farmlands, a source of livelihood for some residents, were doomed; all that remained was a sore to the eyes, and one that would soon make its presence more literal in the hungry bellies.

7Wildfires that started in the higher elevation soon led to rampant soil erosion and water runoff in the lowlands. The temporary yet sudden flooding downstream submerged the surrounding vegetation. Unable to adapt, many trees, already defeated by fire in the higher elevations, now acquiesced to the power of water in the low-lying areas.

82068 A.D. The pristine rivers of the Adirondacks now move slowly, weighed down by the mud and decaying vegetation from the erosion of their banks. The Sun can be hardly seen anymore through the smoke, making the surface of these waters dark and foreboding.

imageA lone beaver faces the flooding.
In the only way he has ever known.

9In some shaded areas at the higher elevation, there are miniscule patches of snow. Under normal times, they would have melted into slush and mud, slowly making way for grass and wildflowers. Now, in the absence of light and warmth, these small patches are waiting indefinitely for resurrection.

102070 A.D. The loons have completely shunned the Adirondacks. A few unfortunate ones that are trapped, unable to find their way back through the haze from the wildfires, are awaiting an inevitable fate.

11The watering hole that was once a favourite destination of the iconic moose is now undrinkable due to high concentrations of sulphates and iron oxides. Moose sightings were always rare in the Adirondacks and they are now believed to have been extinct from the area.

122071 A.D. After a period of continuous burning for ten years, the wildfires are finally starting to subside. After scorching through the entire forest preserve, it has run out of fuel. The thousands of miles of waterways also helped halt its progress, long after humans had evacuated the region and gave up the fight.

132101 A.D. A generation has grown up on rich stories of a place that was. Another generation has breathed their last with the dim hope of going back to add one last chapter to the story. But they were disappointed. As was the place with them.

Now, three decades hence, in the absence of prying eyes, a lilypad springs into life in the waters of the Adirondacks.

Hush. Let it be. Forever wild!

Thanks to Jordan Craig (https://www.instagram.com/jordancraigmedia/) who spurred the thought for this series while we were discussing about the show ‘Chernobyl’ and the editing techniques used therein to showcase dystopia. Thanks to Nikhil Nagane (https://www.niknaganephotography.com/) for reviewing some of these images and providing suggestions. Both of them are excellent photographers and you can find their work in the above mentioned links.

Forward to the Past

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You took the first portrait of me. I was just over a little year old, probably sleeping when you clicked the photograph. My family did not know, quite possibly only a handful of people in the world knew about it at the time. It was a little secret that I discovered close to three decades later. Better late than never.

I was not alone in the portrait. The person who introduced me to books, the teacher who showed me the path to a good life, the friends who went along in stupid adventures, the love, and the heartbreaks- all were in that portrait. And so was a Dusky Seaside Sparrow, probably returning to its nest in the glory of a Florida sunset. The gentle giant Sudan was drowsing in captivity in a foreign land. The Saint Helena Olive was in full bloom with its pink flowers. A school of Baiji Dolphins were frolicking in the Yangtze River. I rode the bicycle for most of my daily activities. Disposable cutlery was unheard of in my family. Life was unhurried while you approached the edge of the solar system.

As you continue into the infinite darkness, Sudan has since been freed. But alas, he has breathed his last. And with him has dimmed the hopes of an entire species. The olives eventually met the same fate as an exiled emperor. The dolphins of the Yangtze have not whistled in years. Three decades and seven thousand miles later, I witnessed the first light on a surreal place. A glimpse into what the Earth must have been in its prime. An automobile is now a necessary part of my life. Plastic straws and styrofoam containers are not too uncommon. I have changed. We have changed. The memory that you carry of us- is but a memory. The blue dot from your younger days has become paler over time.

Four decades and fourteen billion miles hence, you do not need to take another portrait of me. But the sparrow can find its nest again. We might not be able to reverse the clock. But we can keep it ticking. And your swan song can be our overture. We are significant because we are insignificant.

 

Epilogue

When the steaming cauldron, that once held the primordial soup,

From where the sugars went right,

And the amino acids to the left.

Life found a middle ground, evolving over eons,

Till the ‘intelligent species’ took over.

And the cauldron started to spill.

Too many cooks indeed spoil the broth.

Because we need the sun at night,

And the blinds by daylight.

Have you ever paused at the phrase ‘fossil fuels’?

How we built our lives, entire civilizations from Her graveyards?

Without mourning, without reverence.

But Her heart weeps

With the melting glaciers.

When shall we learn?

That when there is nothing left to burn,

All will burn.

And when the dust settles,

She will be ready with more love, and fuels.

But who will be there to receive it?

(Or it might be that the fact we are not trying to stop the madness is actually Nature’s

survival tactics? Maybe the only way to reset the environment is by extinction of the

human race that depends on us not caring about it?)

 

A humble tribute to Voyager I and Carl Sagan on Earth Day, with the dream of a better world.

Do I See?

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Do I see?

Needless to say, there is a basic premise, a singular point (if you will) from which landscape photography originates, that is an appreciation for the landscape. Whether you have the eye for natural beauty, adulation, if not reverence for the grand design all around us! Do the crimson hues of twilight excite you; do you take a drive to the hills, if only to take a break from the urban drudgery? If so, then all hope is not lost.

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Can I show what I see?

From Wordsworth’s poetry to Zachariah Mutai’s duty, humans are capable of love for Mother Nature in myriad ways. But in this context, we shall limit the discussion to photography. To merely capture what you see, to ‘represent’ a landscape as termed by many artists, all that is needed is technical proficiency. If you know the basics of your camera, you are guaranteed an image. In some instances, especially when visiting iconic locations like Mesa Arch at sunrise, you probably do not even need to master composition. The scientists and the engineers behind the design of the camera, pushing auto-focus and ISO to extremes, are probably the ones being creative and not you, the person using the camera.

 

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Do I feel?

Ah, feelings! A slippery slope to ascend. Or descend. Shrieking with excitement at the reflections of pretty twilight colours on a clear lake- is that enough of a feeling? Or when your feelings are not limited to one particular sense, when you can smell the mist while shivering in the crisp dawn, standing knee deep in water while your pupils dilate with the rising sun- would you say that then you have felt something? Would you then claim that you feel what you see? Or is it when you are staring at barren rocks stretching for miles into the horizon in the flat light of the hot desert sun and yet you feel nothing but joy, photography be damned, because you know this place like a friend?

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Can I express my feelings?

Now that you know a place, more than an acquaintance or a customary ‘nice to meet you’, you can connect to the place at an emotional and spiritual level. And the connection is not limited to a reactionary one- a gorgeous alpine sunrise that you witnessed after a personal loss might produce a melancholic hope, a forest charred by wildfire might fill you with grit to go all the way, standing on the edge of a canyon and staring into the abyss might make think that you matter too, at this moment of time, if only to yourself. And if you can express this connection through pixels and photons, you will produce something that is more than a photograph. You will make an image of yourself, shaped by the synthesis of the individual and the landscape.

Do not ignore the basecamp

I have been fortunate enough to travel to some of the national parks and monuments in the United States and witness Nature at its best. White Sands National Monument was one such place (more on that probably in a later post) where my wife and I went in the summer of 2017. We stayed in a town called Las Cruces which is about an hour drive from White Sands.

When you have the target to visit one particular place and if it is a protected area with no lodging options (except for some limited form of camping), you are forced to stay elsewhere. While all your time is spent at the intended destination, the base-camp becomes merely a place to rest your tired bodies at the end of the day or take a quick shower to freshen up before next day’s exploration (which is again not where you are holed up!).

However, more often than not, I have regretted not spending much time at the place of lodging. In this particular trip, we stayed at a beautiful farmhouse in Las Cruces with a great view of the Organ mountains. We had extraordinary star sightings and the best sunrise views right at our doorstep. We did not plan on this but to witness it was a happy accident as the White Sands are open after sunrise and closes at dusk (unless you have a permit). The green fields with the mountains as backdrop also provide good photographic opportunities (that is stark opposite of the vast barrenness of the White Sands). Another advantage is you can escape the crowd of the White Sands which can be annoying (especially during sunset) if you are a quiet person and prefer solitude and calm for making images.

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Sunrise over the Organ Mountains

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Golden light at doorstep

While iconic locations are popular for obvious reasons and there is no harm in seeking them out, it can be highly rewarding to make time for exploring the places around it, the area where you are residing at and maybe, you will come back with better images and stories to share.